MenAreGood
On Frank Zappa and moral hysteria; a rant
Moiret Allegiere
August 31, 2022

On Frank Zappa and moral hysteria; a rant:

Back in the 1970’s, the phenomenal musician (and professional grumpy bastard), Frank Zappa, was asked a fairly simple question.

Not only was it a simple question; it was one of such monumental stupidity and entitlement that it could only ever have come from the quivering lips of a ferocious feminist scorned: why was this terrible misogynistic male so mean to women in his lyrics?

Now, anyone who has spent any amount of time listening to Frank Zappa will have noticed a few things about his music, his lyrics and – perhaps – the man himself;

1: he was god-damned brilliant. I would dare say he was a genius, though I admit to being a drooling fanboy of his, and as such very biased in his favour. I even named my first dog after him. (She is a bitch, and a tiny chihuahua. Somehow, it seemed rather fitting.)

2: His lyrics kick in all directions. Nothing is ever sacred and absolutely no-one is safe. He himself stated that “Yes – my lyrics are stupid. So what?”

In the musical world of Frank Zappa, lyrics was a necessary evil – a thing that had to be present in music in order for the music to sell, as so very few people listen solely to instrumental music. They were, in fact, nothing but a means to an end. Thus, silly, absurd and comedic lyrics became his thing. Because why the hell not?

In reply to the question, he answered that women need to learn how to take their lumps, same as men.

And this is absolutely true.

There is the thing of it, I think: feminism may very well preach equality – women in general may very well preach equality; may claim to very much be in favour of equal treatment of the sexes, thank you very much, it is the current year, after all.

Yet what is said and what is done are two quite different things. I believe a thing people have to learn as quickly as possible is that people’s words and people’s actions are quite often not the same. Quite the contrary. They clash and they crash very often. Human beings are complex and intricate creatures, filled with internal contradictions and inconsistencies. This is just part of human nature, I suppose.

It is not always easy to practice what one preaches, though I would sorely wish to see more people do so. This, however, requires a lot of introspection and “soul-searching”. This seems to be rather difficult at the present moment, as narcissism is on the rise and everything is always someone else’s fault. As is so often the case, people are not even aware of their failure to walk the talk, to practice what they preach. Particularly so when feminism has tricked the entirety of the western world into believing that men treat other men with all manner of respect and adoration; with all manner of underhanded deals and preferential treatment and what-have- you’s which they do not grant to women.

This is, as I have come to understand it, psychological projection on part of women in general, and within feminism specifically. They would treat other women preferentially: their in-group bias is way stronger than that of men. So, to their eyes – being unable as all hell to tear their gaze away from their navel – there is no reason why men would behave differently. “We would do this, and so they must also do this”. Add some solipsism into the mix, and you have yourself a cake not fit for human consumption. In fact, it is a cake which they both want to have and to eat.

The fact that Frank Zappa poked fun at men in his lyrics – quite often, and in quite fabulous ways – was forgotten by the feminist scorned, who only noticed women being poked fun at. One assumes that she was quite alright with poking fun at men in general. One also assumes that she did not notice that men were poked fun at because that was a message she agreed with; that this was something inherent to her view of the world and as such was a statement of fact, not a matter of men being ridiculed.

If people were to open their eyes… if people were able to remove their gynocentric blindfolds and see the world proper, the first thing to be noticed would perhaps be a certain elevation – one could almost say deification – of women and of womanhood. Women being sat atop a throne made from delicate and fragile flowers; a throne that would topple and crumble to dust at the slightest breeze. It is not rare to see women – whether blatantly feminist or not – go up in arms at the slightest hint of a joke being cracked at the expense of women, claiming this to be proof definitive of a society that just hates women ever so much, dont’cha’know and so we must have all of this and all of the other to lift women up in this society in which women are hated so much that they get all this preferential treatment… as well as a movement supposedly only for them; a movement that shall hold the monopoly on all things sex and gender; a movement which one must have balls of polished nuclear warheads to dare defy, under pain of social ridicule and death.

Women are hated, so a movement solely for women gets all the say and holds all the sway on all the things.

Makes perfect sense, of course.

And I am the emperor of Norway, keeper of the seven keys and dictator for life in the tiny island nation of Hwat Teh Fcuk.

Poking fun at typical female idiosyncrasies, at female stereotypical behaviour is a big fat no-no, and all who commit this most heinous act are misogynistic poopy-heads whose mother was a hamster and whose father smelled of elderberries. And the feminist hordes will fart in their general direction. All the while saying that we should kill all men and stating with absolute certainty that men, that masculinity, that maleness and whatever else is all that is wrong with the world; that all men must take responsibility for the evil of one man, and so forth and so on. And one can not help but wonder: if merely cracking jokes at the expense of women in general is proof of a society that hates women – what does it say about a society in which it is quite alright for academes to publish deathly serious articles titled “why can’t we hate men”? What does it say about a society in which this article is not only alright to publish, but where the author of said article is being presented as a victim for facing backlash to her blatant hatred of the male sex? A society that hates women and adores men would surely not present a woman that shamelessly presents her hatred of men as a victim of men when men – quite rightfully – react to being hated for nothing but them being men.

Jokes perpetuate negative stereotypes of women, and furthers the oppression of women.

Articles justifying hatred of men – published in mainstream media – is proof that women are hated. I will keep repeating these points until people fucking listen. Repeat, repeat, repeat.

The whole world has gone insane. Completely and utterly insane, locked within a moral hysteria built upon vapid moral grandstanding and virtue-signaling by power-hungry navel-gazers whose values are just as deep and firmly anchored as a loosely knit fart.

Ah, shit, this nonsense is trendy now.

Gotta hop along; social validation is the most important thing in the world, after all.

#MenAreTrash! Am I right, sisters? Now – let me get a crack at that pussy. Shit: men may be trash. But I am the exception to the rule. I consider all other men to be trash because I believe them to think and act exactly like me. Now, let me get a crack at that crack. Maybe some good old fashioned simpering, whimpering and puppy-eyed begging will make it so that she touches my penis….Please touch my penis!

#CancelMen, for fuck sake. What does a brother have to do in order to get laid around here? I’ve been self-flagellating for hours on end, but they’ve only been spitting in my eyes. And I am an ally to the noble cause, for Goddess’ sake. Still permanently othered, of course, being but an ally… but I am an ally to the cause of pussy- power. Even wore the pink pussy-hat, for fuck sake.

Please touch my penis.

Ahem.

Carrying on:

Poking fun at typical male idiosyncrasies – at male stereotypical behaviour – is quite alright. This happens every single day, every which where one should so happen to look. And I am perfectly fine with this, without a doubt. The ability to laugh at oneself is a transformative tool. Empowering, if I may be so bold as to borrow a buzzing phrase from the feminist handbook.

People would do well to not take themselves so damned seriouslyall the time.

What is bothering, on the other hand, is the feminist hive-mind having fits of hysteria whenever a woman is poked fun at. What is bothering is – as is so often the case – the blatant double-standard of the thing; the hypocrisy, the idiocy of it all. Add to this the inability of people to see this for what it is: anything but equal treatment. Can’t see the forest for a bunch of pretty little lies and liars squinting at the sun as it pisses in their eyes. Treating the sexes equally does not mean that women should be a protected class of people, never to be made subject to the same mockery and ridicule that men are made subject to.

Just take a look at your average sit-com for examples of this. Or talkshows… day-time television in general, for that matter. Men are bumbling fools, not elevated moral guardians such as women are.

This notion that preferential treatment of women equals equal treatment of the sexes ties very nicely and neatly into a study done by one Amy Yeung (https://uwspace.uwaterloo.ca/handle/10012/6958 ), in which it is revealed that women consider it to be sexist when men treat women worse than they would treat other men, that women consider it sexist when men treat women just as they would treat other men… considering it only to be equal treatment when men treat women better than they would treat men.

I find this very interesting, as it explains the squeaks, squawks, cuckoos and cackles, moans, marbles, howls and rise of feminism in no small way. It explains perfectly well how a movement can push for preferential treatment and label this as equal treatment. Women view preferential treatment of women to be equal treatment of women. So-called “benevolent sexism” is still detrimental to women, of course. Because what isn’t? Yet they push for it. Who can fathom the feminine mind? Not my wife, that’s for damned sure. By her own admission.

It’s OK, brothers – my wife is an honorary man; a de facto member of the Patriarchy. Our greatest secretary and coffee fetcher, in fact.

Oh boy, I’m going to the special feminist circle of hell for that one.

Not that I believe feminism, or most women, really, able to see this for what it is. I don’t believe most men are willing to see this for what it is either. For women are precious, and must be protected and one can not make fun of women for exactly that reason.

Besides, it supposedly lowers ones chances of getting laid, and men have drives, desires and needs, god-dammit(!) Dick Hardy is a most potent negotiator. Too bad he is fucking brain-dead.

No matter, never mind.

She Said! He said! Chivalry is far from dead!

And if chivalry is dying; if men treat women equally… if men treat women like they would treat other men, articles start popping up from wherever and whatever mourning the death of chivalry and oh and woe-is-me, but where oh where have all the good men gone?

Of course men should pay on dates – women deserve to be taken care of and feel special. But the relationship has to be equal; step up, men, and do your part of everything… whilst paying for everything.


What, women doing their part? Nah, that is just some patriarchal entitlement – yet another unreasonable expectation of women… male entitlement to this and that and the other, as a matter of fact.

Fuck you. Suck my balopticon.

Men should not enjoy their women having an orgasm – that is peak male entitlement right there. Imagine finding enjoyment in ones partner being given enjoyment by oneself. Shock and horror!

Still: women should damned well have at least one orgasm for every ride into funky-town, thank you very much. Just don’t enjoy it while you’re at it, boy. No-one cares if your jaw is frozen solid and your hand is cramping up; get to it, buddy!

What; you want pointers?

Nah, man, you’ve got to know your way around a woman’s body by instinct and intuition alone… Imagine the entitlement in wanting a woman to tell you what she enjoys and how to do it proper… the pure nerve of expecting a woman do something in the sack – goodness gracious, what prime male entitlement this is! Also – fleshlights and sexbots are objectifying women and mass-manufacturing rapists, and so to do porn and masturbation is akin to cheating and, hey, where are you going? Oh, my, why can’t I ever find a good and decent man?

People in glass-houses can not smell their own shit. Instead of listening to what is being said when feminism – when this entitled behaviour – is criticised, they jump into the very same aforementioned hysterics, put words in your mouth and pull strawmen out of their own arse to set on fire. Screaming that women are not hysterical, but perfectly rational and capable of reasonable discussion, fuck you very much and besides, you make her feel threatened and unsafe by your mere presence, fuck-face.

Add a solitary screech about “PATRIARCHY!!?!!?!?!!!” in there, and we have ourselves a winner, ladies and germs. Men have to accept jokes made at the expense of men in general. Televised stereotypes of men? Ain’t nothing wrong with that. To which I would agree, in all honesty. Reverse the sexes, and the shit-show begins. Apparently, men are capable of humour and of laughing at themselves, whereas women are not. Is it masculinity that is fragile, then, or is it perhaps femininity?

#FemininitySoFragile.

Back in my facebook-days, I was part of a Facebook-group that focused on record-collecting and HiFi equipment. As one would expect, men being far more object-oriented than women, this group was overwhelmingly male. I would hazard a guess at it being 98 percent male.

The discussions on records, music and equipment went as one would expect. Typical male banter; friendly insults and the like.

“What the hell kind of piece of shit equipment is that to play that record on? This record deserves tubes blown by the exotic virgins of lala-land and gold-plated cables, handspun by the queen of England, for fuck sake – bunch of amateurs in here.”

You know what kind of friendly banter I am referring to. All in good fun.

And it was good fun, while it lasted.

For, you see, the feminists entered the room; probably smelling a predominantly male space populated by horrible men in dire need of being civilised by the elevated morals of womanhood; a goddess in the guise of feminism come to save these barbarian men from themselves. Come to make sure the good ol’ boys don’t have too much unsupervised fun.

Though I can not prove this, I will dare state that the sole reason for these two feminists being in this group was tone-policing and feminist propaganda, as the only damned thing they posted in there had to do with women and with feminism.

Even when posting pictures of their records or whatever, they always included some fucking feminist “factoid” alongside the picture. Seemed rather planned, if I am to be perfectly honest.

Every day with that shit; feminism me here and pay-gap me there and horrible titties on the covers or on posters on people’s wall over there, making it such an unsafe and non-inclusive group for the women in the group and no wonder there were so few women there and so-and-such and blah-di-blah and shame the male for he is a true bastard-barbarian. How fucking entitled does one have to be to demand people remove posters that are deemed offensive by fragile feminists from their own walls in their own bloody homes? Feminist-levels of entitlement. And fragility.

#FemininitySoFragile

Whenever a woman enters a predominantly male space, it is expected that the men therein shall alter their behaviour so as to not offend her. It does not matter how many men there are in the space or in the group: the word of this one woman has to be law. And, by damn and fuck-me-right-in-the-back-ear: men agree and comply and alter their behaviour to suit the woman, for some ridiculous reason. Female entitlement is enforced by men. There is no denying this. You are allowed to say no to women, you know. Even Dick Hardy is allowed to do just that. In fact, Dick hardy must be encouraged to do just that. So much of this god-damned shit is on our shoulders, gentlemen. You don’t have to put up with it, you know.

So I left this group. After about a week of seeing these two women – might have been one woman with two accounts, come to think of it – constantly posting feminist nonsense, I had just about had it. Then I reached my tipping point, the scales were waxed and the shit slid off and hit the fan, spreading it way more than anyone should accept.

One dude in the group had the nerve, you see, had the unmitigated audacity to refer to Yoko Ono as “the bitch that ruined the Beatles”.

Oh boy.

Oh my.

Oh girl.

Oh fragile femininity supreme.

What a shit-show that turned out to be; a macabre and grotesque cabaret. The feminist footsoldiers came rolling in, floating on the wind by virtue of their bingowings, frothing at the mouth, spittle flying every-which-where, demanding the post be removed, claiming that this group was nothing but a bunch of misogynists; a sorry nest of gender-fascists, in fact.

Yes.

They actually used the term “gender-fascists”.

This, then, was the moment they had been waiting for. Finally, they could spring into action on behalf of scorned women everywhere; women who have to put up with female artists being disliked like male artists are disliked. What horror was this?

Irrational emotionally laden screeching followed. A woman can not be criticised. Not even a female artist. One has to worship the ground she walks on. Any one man can not have any one individual opinion on any one woman; neither the woman nor her caterwauling – that is to say, her art – may be subject to criticism. For any critique of a woman, or her art, necessarily must mean that one hates all women by virtue of their sex. And this has to reflect on the entirety of the group, for men – as we all well know – are a homogeneous blob; a mass of testosterone and brawn and perfectly erect penises that have neither solitary opinions nor individual personalities.

And so many guys in that group simpered and drooled and fell to their knees in abject shock and horror; apologizing profoundly and profusely on behalf of the group. A few brave men dared defy the feminine deity that had entered the space; but the damage was done, the battle was won and the female tyranny reigned supreme that day. All the men had learned of their folly and been given a whipping for their insolence in talking back to their superiors.

Earlier that day, I had posted a picture of Warren Zevon’s phenomenal album “the Wind”. I referred to Warren Zevon as a complete and utter arsehole; a narcissistic bastard with no redeeming qualities except his incredible musical and lyrical talent. He was then, and remains still, one of my favourites. Quite possibly the greatest songwriter to have ever graced this green earth. Second only to Townes van Zandt. Other guys in the group agreed. Other guys in the group had posted similar things about other male
musicians.

No-one reacted with anger or hostility, or claimed that we were just hating on men for them being men. Not even the feminists in the group.

Imagine my shock.

Criticising a female artist, on the other hand, means that the entirety of the group hates women.

Women in male spaces can not help but destroy the male spaces, it seems. Helped very much by the simpering men therein. Much like Yoko Ono, in fact. Women really need to learn how to take their lumps, how to take criticism. Women need to learn that criticism of one woman does not equate to hatred of all women everywhere.
… Much like Yoko Ono, in fact.

Moiret Allegiere

Moiret Allegiere (Born 1986) hails from Norway. A self-described scribbler of lines, juggler of words and weird pseudo-hermit, he became so concerned with the state of the world that he left his long and deliberate hibernation to wreak bloody havoc on the world of fine art and literature.

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This isn’t an argument against women’s health. It’s an argument for evidence, fairness, and a healthier future for everyone.

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October 15, 2026
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When in Doubt, Blame Men
How Widely Do Women Blame Men?
 

A recent analysis from the Survey Center on American Life highlighted a striking finding: 66 percent of Democratic women ages 18 to 29 said men’s behavior or actions contribute “a great deal” to the challenges women face in American society. Among Republican women the same age, the figure was 18 percent.

Here is the article’s original chart:

 


The contrast is dramatic. Young Democratic women were more than three times as likely as young Republican women to choose the strongest response. Across the age groups shown, democratic women were consistently more likely to answer this way.

The survey asked women how much the challenges facing women in American society were due to men’s behavior or actions. The available options were a great deal, a fair amount, hardly any, none at all, and unsure.

The original comparison tells us who selected the strongest answer. It does not tell us how many women attributed at least a fair amount of women’s challenges to men.

To examine that broader question, I looked at the survey’s underlying data using its main survey weight.

 

In this analysis, approximately 67 percent of young Democratic women chose a great deal, and another 29 percent chose a fair amount. Total those and you get 96.4 percent.

That is nearly every young Democratic woman in the sample. Nearly 100% of democratic women between the ages of 18-29 attributed at least a fair amount of women’s challenges to the behavior or actions of men.

The Republican result also looks very different once the second response is included. Approximately 18 percent chose a great deal, while 49 percent chose a fair amount. Together, that comes to about 67 percent—roughly two-thirds.

When we total “great deal “ and “fair amount“ it reveals something the original comparison obscures: attributing a substantial share of women’s societal challenges to men is widespread among young women in both parties.

Now let’s look beyond the youngest age group.

 

Among Democratic women, the combined total exceeds 90 percent in every age group shown.

The Republican pattern is also revealing. In this sample, the combined percentage is higher in the older age groups. Older Republican women are more likely than younger Republican women to attribute at least a fair amount of women’s challenges to men.

In every Democratic and Republican age group shown, roughly two-thirds or more of women attributed at least a fair amount of women’s societal challenges to men.

What began as a finding about young Democratic women has become a much broader finding about women across generations and party lines. Two thirds of women seem to attribute a fair amount of women’s challenges to men’s actions or behaviors. To me that is a stunning finding.

There is another dimension to consider: education.

 

But once again, stopping at the strongest answer leaves out part of the picture.

Including a fair amount reveals the broader educational pattern shown in the chart. The combined responses suggest a stronger tendency to attribute women’s challenges to men at higher levels of education, even though the strongest response alone does not rise consistently across the categories.

So what do these findings mean?

Nearly universal agreement among young Democratic women, more than 90 percent across Democratic age groups, and substantial majorities among Republican women suggest that seeing men as a significant source of women’s difficulties has become a widely shared perspective.

I see these findings as a strong indication of how successfully the feminist narrative has encouraged women to blame men and male power for their difficulties. It seems clear to me that this message can encourage a victim mentality. The survey does not establish why women answered as they did, but the pattern is consistent with that narrative’s influence. And it extends well beyond young Democratic women: substantial majorities of women in every age group shown, in both parties, attributed at least a fair amount of women’s societal challenges to men.

 

One appeal of that narrative is the explanation it offers: the difficulties women face are not entirely their responsibility; a substantial share of the blame belongs to men. Recognizing some men being a problem is reasonable. Making men an explanation for women’s difficulties is ridiculous. Just imagine men claiming that their difficulties were due to women as a group. Laughable.

What do these findings tell us? What might the impact of these ideas be? We have had decades of feminists telling women that so many of the problems they face are not their fault, that they have been wronged at the hands of men, that they are victims. One of the obvious results of this massive psyop is to diminish women’s accountability. When you believe someone else is the reason for your troubles it relieves you of needing to seek responsibility. If you are not responsible then you are likely not going to be accountable. What might that do to her? What happens to people when their accountability drops? Here are a few ideas of what psychological costs can follow a victim mentality/lack of accountability:

  1. Less self-examination. “How did I contribute?” gets replaced by “Who did this to me?” That makes it easier to repeat the same mistakes​, and blame others.

  2. More defensiveness. Feedback can feel like an unfair accusation rather than useful information.

  3. Difficulty repairing relationships. Apologizing, acknowledging someone else’s pain, and changing behavior become harder if the person sees responsibility as entirely belonging to the other party.

  4. A diminished sense of agency. If others are always the cause of your difficulties, you may also come to believe that improvement depends entirely on them. Your focus becomes changing them rather than changing yourself.

  5. Growing mistrust and resentment. Expecting mistreatment can encourage defensive or uncooperative behavior, which may provoke responses that reinforce the original expectation. Research on sensitivity to being victimized supports that possible cycle.

Do you think these five may be related to women seeing others as being responsible for their challenges? Do you think they fit with a feminist narrative that repeatedly explains women’s difficulties through men’s behavior and male power? Does that narrative help women recognize both external obstacles and their own choices, or can it encourage blame at the expense of agency?​ ​Have you seen any of this in your family, relationships, or work?

​Let me know what you think.

​Men Are Good


Source: Survey Center on American Life, 2025 Civility and Morality Survey, a survey of 5,451 U.S. adults conducted through Ipsos KnowledgePanel. The original article reports 66 percent for young Democratic women selecting “a great deal”; the weighted analysis used for the additional charts gives approximately 67 percent. The 96.5 percent combined figure uses unrounded values. The additional charts and subgroup figures are from my analysis.

Original article: https://www.americansurveycenter.org/significant-figures/young-women-are-the-most-likely-to-believe-that-men-are-at-the-root-of-their-problems/

Survey topline and methodology: https://www.americansurveycenter.org/wp-content/uploads/2025/11/Civility-and-Morality-Survey-Topline-1.pdf

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October 13, 2026
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A New Documentary Takes on Feminism
Meet filmmaker Les Lanphere and his upcoming film, Deceived: The Ruin of the Modern Woman.

I had a great conversation today with filmmaker Les Lanphere, who is working on a provocative new documentary called Deceived: The Ruin of the Modern Woman.

Les is an experienced documentary filmmaker whose previous work includes Calvinist, Spirit & Truth, and Cessationist. In addition to his independent documentaries, he has worked on major, large-budget film productions, bringing valuable experience from the broader film industry to his own projects. His newest documentary takes on a very different subject: feminism and its impact on women, men, families, and society.

What particularly interests me about this project is its willingness to challenge one of our culture’s most deeply entrenched assumptions: that feminism has been a force for good in women’s lives. Les takes a much more provocative position. His film sets out to expose the consequences of a movement that claims to liberate women but has often left them worse off.

The film approaches these questions from a Christian perspective, examining how feminism has reshaped our understanding of women, men, marriage, and family life. Les is asking important questions that deserve far more attention than they typically receive, and I’m delighted to see a filmmaker willing to tackle them so directly.

Here’s the trailer for the upcoming film:

Helping bring the film to life

The project’s crowdfunding campaign has already reached its original fundraising goal, which is wonderful news. But producing a documentary is an expensive undertaking, and additional contributions are still welcome and appreciated.

If you believe that feminism deserves serious scrutiny and that alternative perspectives should have an opportunity to be heard, consider supporting the project.

Support Deceived: The Ruin of the Modern Woman on Kickstarter

I’ll be interviewing Les soon for Men Are Good, and I’m looking forward to exploring his plans for the film, what motivated him to make it, and what he hopes audiences will take away.

Stay tuned. I think this will be a fascinating conversation.

Men Are Good.

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October 05, 2026
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The Warrior Within (part one of two)
Robert Moore and the Strength to Act

 

A note from Tom - Moore’s work is especially important today because so much contemporary discussion of masculinity begins—and often ends—with its shadow side. Feminist theories have given us an increasingly thin picture of men, rich in criticism but poor in any understanding of mature masculine strength. Moore never denied masculinity’s capacity for violence, domination, and destructiveness; he simply understood that these distortions cannot be comprehended without also recognizing the healthy power from which they have fallen.




Of Robert Moore’s four masculine archetypes, the Warrior may be the easiest to not understand.

We hear the word and think of violence. We picture a soldier, a prizefighter, an action hero, or perhaps a swaggering man eager to prove that he is tougher than everyone around him. In our current culture, the Warrior is often treated as the embarrassing remnant of an earlier masculinity—something primitive that civilized men should learn to suppress.

Moore believed that this was a serious mistake.

The Warrior is not simply the part of a man that can fight. It is the capacity to act, to endure, to remain loyal, to protect a boundary, to organize resources, to distinguish what matters from what does not, and to place one’s strength in service to something larger than oneself.

Violence is one possible expression of Warrior energy, but it is not its essence. In fact, the man most eager to use force may be possessed by the Warrior rather than mature in it. And the man who insists that he has no aggression may be no safer. His sword has not disappeared. It has simply gone underground.

Moore’s central insight could be put this way:

The mature Warrior is not the violent man. He is the man who has acknowledged his capacity for force, brought it under conscious discipline, and placed it in service to something beyond himself.

The dangerous man is often the one who either worships the sword or insists he has no sword at all.


There Are No Freelance Warriors

 
The mature Warrior does not serve his own power. He places it in service to something larger.

In a previous post, I explored Moore’s understanding of the King. The King creates order, accepts responsibility, blesses life, and establishes the values of the realm.

The Warrior serves that order.

That relationship is crucial. Warrior energy by itself does not know whether a cause is just. It knows how to identify an enemy, formulate a strategy, accept hardship, mobilize resources, and attack an objective. Those capacities can protect a child or terrorize one. They can defend a community or destroy it. The Warrior supplies power, but it cannot by itself decide what that power should serve.

That is the King’s task.

Moore said that there can be mercenaries without a King, but there can be no true Warriors. The mercenary may be highly skilled. He may be brave, disciplined, and effective. But he fights for money, status, excitement, or whoever happens to be paying. The mature Warrior serves a moral order: a community, a sacred obligation, the vulnerable, the future, or a vision of justice larger than his own appetite.

This is one reason Warrior energy cannot be understood simply as aggression. The mature Warrior does not ask only, “Can I win?” He asks, “Whom do I serve? What am I protecting? Under what authority do I act? What will I refuse to do, even to an enemy?”

Power becomes mature when it kneels.


The Sword Is a Responsibility

 
To possess the sword responsibly is to know both when to draw it and when to hold it still.

Moore spent considerable time discussing the symbolism of the sword.

The sword represents potency, discrimination, and the ability to cut through confusion. It separates one thing from another. It says yes to this and no to that. It establishes a boundary and makes action possible.

But in the traditional ceremony of knighthood, the candidate does not merely seize the sword and begin swinging it. He kneels beneath it. The sword touches him before he carries it.

This means that the Warrior comes under the authority of the sword. His power is governed by a code. He accepts responsibility for how it will be used and what must never be done with it.

The mature Warrior knows that he can cause harm. He does not pretend to be harmless, nor does he advertise his dangerousness in order to frighten others. His power is acknowledged, visible, disciplined, and accountable.

Moore contrasted the sword with the dagger. The sword is openly carried. The dagger is concealed.

The dagger belongs to the person who says, “I am not angry. I would never hurt anyone. I have no interest in power.” Yet the blade appears through sarcasm, procrastination, chronic criticism, manipulation, helplessness, gossip, obstruction, or the perfectly timed wound delivered from behind.

Just because a person does not show a sword does not mean there is no blade.

Denied aggression does not become love. It becomes unconscious aggression.



Permission to Be Powerful

 
A boy’s strength needs guidance, welcome, and a worthy purpose—not shame.

For a boy to develop a healthy relationship with his strength, he needs more than warnings about what not to do. He needs permission to be powerful.

That permission does not mean, “Do whatever you want.” It means, “Your strength is real. It is welcome. It has a place. Let us help you learn what it is for.”

Moore saw the father’s response to the son’s growing power as enormously important. The mature father does not shame the boy for his energy or become threatened when the boy begins to surpass him. He is pleased by the son’s increasing strength. He draws him close, lets him admire, and eventually helps him place that power under discipline and moral purpose.

The shadow father does something very different. He mocks the boy’s awkwardness, treats his energy as dangerous, competes with him, or crushes him before his adult capacities have had time to form. Moore told of a shy, thin adolescent whose father ridiculed his emerging masculinity. The boy later grew into an impressive man, but the wound remained. The father had attacked the unfinished form of something that needed encouragement and time.

Moore pointed to Bull Meechum, the domineering Marine father in Pat Conroy’s The Great Santini, as a vivid portrait of this shadow father. Meechum is a formidable military man—competent and commanding—but emotionally he remains a boy. He can drill, compete, and dominate, but he cannot welcome his son’s emerging strength or bless him as he comes into manhood. What appears to be mature masculinity is largely an impressive uniform wrapped around an uninitiated personality.

A boy who never receives permission to be powerful may grow into a man who fears his own strength. He may become excessively compliant, wait for others to decide, or apologize whenever he takes up space. He may also be vulnerable to sudden eruptions of rage because the Warrior, excluded from ordinary consciousness, returns in a primitive form.

Or he may find someone else to carry his Warrior for him.


The Warrior We Give Away

Moore was particularly good at showing how disowned power becomes projection.

A person who cannot say no may attach himself to someone who says no cruelly. A man who cannot act may idolize a strongman who promises to act for him. A dependent person may wait for a rescuer. A rescuer may go looking for a helpless person and an abusive villain so he can play Sir Galahad. A grandiose leader may surround himself with loyal knights willing to sacrifice themselves for his cause.

In each case, Warrior energy is present. It simply has not been claimed consciously.

This is why Moore refused to define Warrior pathology only as “too much aggression.” Too little conscious Warrior can be equally destructive.

The person who continually says “I can’t” may be projecting agency onto everyone around him. The compulsively nice person may secretly admire people who intimidate and dominate. The chronic complainer has enough Warrior energy to carve at the world but not enough to do anything constructive about it.

Moore’s observation was delightfully blunt: people who complain a great deal often do very little.

Passive aggression is Warrior energy trying to enter through the basement. Procrastination, deliberate incompetence, obstruction, and overcompliance allow a person to attack while preserving the belief that he is innocent.

Imagine a therapist asking a compulsive client to bring in some dreams. The following week the client arrives with forty-two of them. He has obeyed perfectly—and buried the therapist beneath the obedience. The dagger has struck, but no one can accuse him of failing to cooperate.

The healing task is not to make such a man more aggressive. It is to help him become direct.


The Capacity to Act

At its most ordinary and necessary, the Warrior is the part of us that gets things done.

It makes a plan. It identifies the next step. It organizes time and resources. It accepts discomfort. It gets out of bed, makes the telephone call, confronts the problem, keeps the appointment, protects the child, finishes the work, and stays faithful when novelty has disappeared.

The Lover may bring two people together, but the Warrior helps them keep their vows. Attraction is not fidelity. Feeling deeply is not the same as remaining present when a relationship becomes difficult.

The same is true of vocation. Many people can imagine, study, discuss, analyze, worry, and wait. The Warrior acts.

Moore described clients who could spend months exploring their dreams without ever asking what they should do. He began deliberately making room for that question. And he discovered something remarkably practical: people usually already knew.

They knew the conversation they needed to have, the habit they needed to stop, the application they needed to submit, the boundary they needed to set, or the task they had been avoiding. What they lacked was not information. They lacked access to the energy required to act upon it.

Therapy, at that point, could create a space in which the person named the action and received support for the Warrior as he began to do it.

That fits closely with what I have seen in working with men. Insight matters, but insight often needs somewhere to go. Many men begin to move when suffering can be translated into a task—not because action replaces feeling, but because meaningful action gives feeling a form.


The Warrior’s Anesthesia

Warrior energy carries its own anesthesia.

In battle, crisis, emergency, or sustained effort, that can be lifesaving. The Warrior allows a person to continue despite fear, pain, fatigue, and injury. A firefighter cannot stop in the burning building to process every emotion. A father protecting his family may need to act before he has time to feel. A surgeon, police officer, soldier, or trauma worker may temporarily set aside his own reactions in order to do what the situation requires.

But the Warrior does not know when enough is enough.

Moore joked about tanks advancing across the plain until they ran out of gasoline. It is a wonderful image of the workaholic life. The campaign is impressive, the objective is clear, and the forces keep moving—but no one has checked the fuel gauge.

When Warrior energy dominates a personality, a man may not feel tired when he is tired. He may not know he is wounded. He may continue working, fighting, producing, and enduring long after his body or relationships have begun to break down.

The Warrior is not designed to tend the wound. The Magician can recognize it. The Lover can feel it. The King can decide that the welfare of the realm requires rest, repair, or retreat. But the Warrior alone knows only the mission.

This is why Moore never intended any archetype to stand by itself. The pure Warrior is not a complete man. He is a magnificent and terrifying machine.

In Part Two, we will follow Moore’s Warrior through the white, red, and black knights—then examine the Warrior’s relationship to enemies, shadow, admiration, and the difficult passage from raw power to mature service.

Men Are Good.

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