MenAreGood
Indigenous Rituals and What They Tell Us About Men
Excerpt - Swallowed by a Snake Chapter Nine
August 26, 2024
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Cross-Cultural Grief

 

This is chapter nine of Swallowed by a Snake: The Gift of the Masculine Side of Healing.  In the late 1980’s I was confused about men’s ways of healing and bumped into the anthropological research on cross cultural grief.  It was this research that clearly showed the tendency of indigenous people to give men activities following a loss.  The more I studied the more I saw that men relied on action as a mode of healing. It was easy to admire the grief rituals these folks offered to both men and women.  See what you think.


Chapter Nine - Cross Cultural Grief

Indigenous people around the world have highly developed rituals and mechanisms in place in their cultures to aid the resolution of grief. These rituals are an important part of life for these people. Their cultures are fertile ground for grief to be nourished. In many ways we are the primitives, because we have very few mechanisms in our culture that function in a similar way. By studying the way indigenous people grieve we can begin to get some idea about the state of grief in our own culture and our inadequate rituals. Using the analogy of a business or a sports team that is not doing well compared to the competition, we can examine a successful party and learn from their achievement. We will probably not adopt a specific grief ritual from another culture, but we will be able to see how these cultures have incorporated grief into their daily lives and how they have developed different rituals for men and women.

These cultures have implemented action-oriented rituals that allow both men and women tasks that connect them with their grief. In our own culture we have no such thing. We are left to our own devices to heal our grief, many times without the support of a caring community. Given this void of ritual, men and women are put into a precarious state. Often, women are able to overcome this void by using their skills of relating and their natural tendency towards verbally sharing their grief with others, but men, usually with strengths of a different nature, are at more of a disadvantage. Without culturally-endorsed rituals men are left with nothing to do following a death. It has been my clinical observation that men in our culture grieve through task, that is, they find activities that allow them to access and heal their grief. Through studying the cross-cultural literature we can begin to get a glimpse of the possible root of a man’s tendency in our own culture to connect his grief with action.

The least we can expect is to stimulate our own thinking about different ways to express grief. Our own weakness in dealing with grief can be strengthened by observing the strength of the tribal culture’s ritual that is so effective in helping their communities come to terms with their loss. With that said, let’s look at what can be learned from grief around the world.

Community

One of the first things we notice is the difference between the social structure of indigenous people and our own way of life. Tribal cultures live in communities of intimately interconnected people who are closely affected in some way by the death of any member. They live in close proximity, rely on each other for the necessities of life, and usually have a common history and world view. There is a bond between them that is amplified by the feeling of “us” and “we” that develops when a group of people share such interdependence. The people of these cultures have ritual structures in place that are designed to support those in grief. There is usually a strong expectation and a sense of responsibility that the community will lend its support to those in pain. There is a sense that each death is a loss of the community, not a loss that is isolated.

We can contrast this with our own situation, where there is a certain invisibility in our interdependence. We live together in neighborhoods but not necessarily communities. Many times the neighbors who live three doors down the street have little attachment to or connection with our family. We shop in different places and work in different settings. When a member of a tribe dies, it is a person who was connected in many ways to the community. When a member of a neighborhood in North America dies, too often it is merely someone who lived down the street.

The interdependence of the tribal cultures can be better compared in some ways to the family unit in the United States. Families are interdependent in a similar kind of way, with each member having prescribed roles and duties and interacting on a daily basis. In many ways our families have become our communities. But without the embrace of a larger community we are left with fewer places to receive support for our grief. Our primary means of support frequently is limited to the members of our family. A table with many legs is not affected by one leg being sawed off, but a table with three or four legs is crippled by a similar loss. This is one of the reasons for the emergence of grief counseling in our culture.

World View

Another difference we notice is that the world view of the indigenous people in some way brings meaning to grief. Many times grief is seen as food for the soul of the dead person. The Minianka tribe in Africa see the tears of grief as being nourishment to the newborn soul of the person being grieved. Without the tears the soul could not move beyond the land of the living. In this way the mourners see their grief as a benefit to the person who has died. The variations of this theme are many, but they all incorporate the idea that grief is a necessary process and without it there is some sort of trouble. It is easy to see the contrast to our own culture where people tend to feel that their grief has no purpose or meaning, or worse yet, that it is a selfish act.

Marking the Griever

There are many common themes in the grief rituals among indigenous people. One of these is the tendency to mark the griever. All sorts of mechanisms are used, but one that is found in many cultures is hair. For many tribal people hair is a symbol of life. It marks the passage of time and is therefore connected with life and death. Many times the grievers either cut off their hair or allow their hair and (in the case of the men) beard to grow in response to a death. This is done as a symbolic act and as a part of a ritual process prescribed by the community, but it also functions as a way to mark the mourners. All the people of the community are aware that a certain haircut means a person is grieving. There are many variations on this theme, including special cuts where only a part of the hair is cut or all hair is sheared. The hair can be cut with all sorts of instruments, such as sharpened seashells, or it may be burned off. Sometimes the cut hair is saved as a memorial, to become part of a necklace or be used in a ritual. The important message of the special hair cut is that this is a person in pain, a person who is grieving, and the treatment he receives is altered due to his status as a griever.

Other ways of marking the griever include covering oneself with ashes or oil or certain colors of paint. In one African tribe there is a complex system of designating the colors of grief paint to alert the community to the type of loss that has been suffered. For instance, a man whose father died would wear a certain color of paint in a certain place on the body. If it had been his mother who died, the paint would have been a different color and painted in a different design. This simple system not only alerts the community to the fact that this man is grieving, it also clearly marks the type of loss that has occurred.

Bark

 

Bark is used in some cultures both as a way to mark the griever and as a symbol of grief. The Karanga people of Africa wear bark to mark themselves as grieving. Women wear a bark necklace, and men wear a woven bark chain around the head. The bark serves also as a symbol of loss, indicating that an individual has been stripped away from the community as bark has been stripped from the tree.

The story of Jaque, also related in a previous chapter, is another example of bark used as a symbol of loss. When his brother died suddenly, Jaque was torn by sadness and anger. Following ancient custom, he went into the forest, selected a tree and, after uttering a prayer, stripped away a piece of the bark. Now the tree, like Jaque, had lost something whose loss caused deep pain. Many times over the following months he returned to visit the tree. As the seasons passed, the wound in the tree healed. So did the wound in Jaque’s heart. With the tree as a visible reflection of his loss, Jaque was reminded that he, too, was healing. Jaque is a Native American, a Cree.

In this example, the bark of the tree was used as a symbol of the pain that the man was experiencing. As the bark is a covering of the tree, it is almost as if the man had his own covering sliced away in a similar manner. A part of him was taken—not his core, which still exists—but something that was a part of him all the same. The tree stood as a symbol for his loss; it was wounded in a similar way. Each time he visited that site the tree could remind him of his own wound and, as he watched the tree heal, of his own healing.

These are some of the ways native people have used to mark the griever. Marking gives the griever a public role to play and, in essence, permission to publicly and privately grieve. We can contrast this with the invisibility of grief in our culture. One of the last markings to be discarded in our culture was the black arm band. We now have no overt way to differentiate the people in our community who are grieving from those who are not. The men and women who are grieving can feel this invisibility and the accompanying lack of permission to grieve. Indigenous cultures prescribe specific behaviors and roles for the bereaved, the grief “norm” as it were. This can be contrasted with our own situation where there is confusion over where and when to express grief, or how much grief and of what duration is normal. This lack of “norm” leaves everyone guessing. The people I have worked with have all had the same question, “Is what I’m going through normal?” We are left untethered with a great deal of pain but no box to put it in.

When Does Grief End?

In some tribal communities, it is the responsibility of the community to clearly state when the time of official grief has ended. An example might be that a grieving man was marked by being forbidden to eat a certain type of food. When the community members feel it is the right time, they will offer the particular food to the grieving man as a symbol that he is now ready to re-enter the community as a non- grieving person. There are examples other than food—a certain way of dressing or different behavior—but the essence is the same: the community clearly marks the boundaries of grief for the griever. This contrasts with our own culture where there is great confusion about when and how much grief is appropriate. We live in a near vacuum of social indicators about the time needed to grieve. The most prevalent guideline we have is that many people don’t think you should be grieving at all.

Separating Men and Women in Grief

Another form of marking the griever is the separation of men and women in the grief rituals. By separating the grievers these cultures are honoring the differences in grieving between men and women and setting up different containers for healing. An example is the Bara people of southern Madagascar who designate two huts when a death occurs. One hut is the Tranadahy, which means “male house;” the other is the Trano Be Ranomaso, which means the “house of many tears.” During the period of time after the death these huts are used for congregating and receiving condolences. The men’s hut is the center of activity regarding the death. The men plan and initiate the rituals, receive condolences from the male guests, and take responsibility for the body. The women’s hut is more the center of emotional expression, with the women keening, wailing, and crying as they receive condolences from the female guests. These people literally have different places for men and women to be following a death. In this way, men and women are among their own sex and are in a position to be healed by their same-sex community members. It also honors the difference in grieving styles between men and women by allowing the opportunity for each to be near those who grieve as they do.

Tribal people have found a box in which to put grief. That box is ritual. The ritual that is used is both a container for the effects of grief and a norm that shows people the way to grieve. It can be any number of activities. For women the ritual many times is related to sharing their pain with each other, crying or keening. Men, on the other hand, usually have a ritual that includes some sort of action—singing sacred songs, drumming, dancing, tree wounding, etc. When Rosenblatt examined grief in 87 different cultures, he did not find a single culture in which men expressed tears more than women. In nine of the cultures studied the men didn’t cry at all, and in most of the cases studied the men cried less than the women.24 This points to a significant difference among men and women: men don’t use tears as much as women when dealing with their grief. This finding is not limited to western cultures, as many of the cultures Rosenblatt studied were tribal people who still maintained their grief rituals from their cultural heritage. From this we can see that even in cultures where there is an adequate container for grief the men tend to use tears less often than women. This finding seems to verify the research, regarding a man’s decreased levels of prolactin and the increased difficulty for men to access their tears.

What we find when we examine the cross-cultural literature is that men many times have active rituals that help them move into their grief. There is a tribe in Africa where the men literally face the women who are crying and keening in order to get into the mood of grief. They use this activity of watching the women to bring forth their own sense of loss. Even these tribal men with the luxury of intricate and beautiful grief rituals acknowledge that it is not an easy task for them to move into their feeling state. By their actions of facing the women they do something that puts them closer to their own grief.

Drumming

Another active ritual used around the world is that of drumming. The men of the Yoruba in Africa use drumming as an active means to deal with their grief.25 They have a variety of rhythms for different parts of the funeral service; a rhythm for washing the body, a rhythm for lowering the body into the grave, etc. After the death of a chief the men start playing a specific monotonous grief rhythm over and over. This rhythm is played continuously for three days. The men of the tribe are responsible for keeping the rhythm going and do not allow it to stop. They drum day and night, sleeping in shifts and then drumming for long periods. It is through this ritual, and many others, that the men have something to do after the death, and this activity helps them engage feelings of grief. The rhythm signals to the tribe that a state of mourning exists and is a constant reminder of the loss to the community.

Externalization of Pain

Another aspect of active ritual is the externalization of pain. This is accomplished in a great variety of ways, from lacerating the body, scratching oneself until the blood flows, knocking out a tooth, or even cutting off a finger. Anthropologists tell us the reasons for these mutilations are related to a number of factors encompassed in their world view, including rendering the ghost of the deceased harmless, convincing the soul of the dead of the sincerity of the grief, establishing a corporal union between the living and the dead, strengthening the departed, as an offering, or purification. A few anthropologists have seen the core of these actions: they are outward acts that express inner states. By wounding the body in some way, the inner pain has an outer parallel. This is similar to Jaque who wounded a tree as a symbol; it is just that these people are wounding themselves. As their wounds heal, they will have an outer symbol for the healing of their inner wounds. They will also have physical scars to remind them for some time of the loss that occurred. One Australian tribe has a name for grief that literally translated means “bad guts.” That is probably the best description of grief I have ever heard. The mutilations cut away at the “bad guts” and let them flow. There is a ritual among the Aborigines where the blood that is dripping from the mutilated griever is allowed to drip onto the corpse, apparently in an effort to merge the living and the dead and to strengthen the dead person. I am certainly not suggesting that we adopt these rituals as a means to facilitate our own grief. However, they are honest and effective means that these people have found to externalize their pain and “bad guts.”

Let’s turn now to looking in more detail at the way a particular tribal culture deals with grief. We can examine closely the grief rituals and the mechanisms that the men use in dealing with their grief.

The Yolngu

 

Our first example is an Aborigine people of Australia, the Yolngu.26 The men of this tribe begin to work with their grief before a death occurs. As a person becomes seriously ill, the men respond by singing sacred songs. Groups of men gather around the bedside of the ailing person and sing the sacred songs of the tribe. This is not a “let’s sing a song and go” routine. The men will sing continuously as the person lies ill. The purpose of the songs is to comfort the dying person, to keep him alert, to insure that the person will die in the right “Manikay” (sacred song cycle), to alert the ancestors that this person is coming to them, and to insure that his soul will be oriented towards its “home” after death. As the men do this, the women of the tribe are responsible for the care of the sick person and feeding the men who are singing. If there is consensus that the person is dying, the women will also cry or keen along with the songs. This crying or keening by the women is called “ngathi.” Both the crying and keening and the songs by the men are accompanied by traditional Aborigine instruments, the clapsticks and the didgeridoo. Sometimes the ailing person recovers, and if this happens the singers disperse and life goes on. If death occurs, quiet covers the camp, uncharacteristic of the usual hustle and bustle.

At the ritual announcement of the death, which is made by a man, the women of the tribe keen and wail and throw themselves to the ground. At times they will strike themselves with sharp objects. It is expected that the men of the community will restrain the women from seriously injuring themselves. The men step forward and pull the weapons from the women’s hands and throw them out of reach. The women usually respond to this by ceasing their attempts at self-injury. This action of protecting the women is seen as a sign of protection for the grievers, and a show of community support for those who are most affected by the death. It is an action that men can take that is both protecting their loved ones and an indication of their own grief.

The men of the tribe will also keen at times, particularly if the dead person was a close relative, but the more common emotional expression of the men is venting anger by dancing. It is said that the men will dance in an “energetic and violent” manner that signifies hostility. According to Rosenblatt, this expression of hostility directed outward is a common masculine activity following a death. Many times a man’s anger will open the door into his other feelings of grief.27

Tribal Ritual in the 20th Century

The Yolngu people are in many ways between two worlds. Although they have maintained many of their rituals, they also live in the midst of twentieth century technology. If a member of their tribe has died in the nearby hospital, the body is retrieved in ritual fashion. The community goes to the hospital and obtains the body, then forms a “slow, emotional, and ritualized” procession back to their camp. The body, moved with accompanying dancing and singing, is taken to a shelter where it will lie until burial. It is said that even the cars take part in the ritual, slowing, stopping, starting, and reversing as they mimic the movements of the dancers.

The coffin of the dead person is painted with sacred symbols by the initiated men of the Yolngu. These symbols are secret and are not allowed to be viewed by women and children. The purpose of the sacred symbols is to mediate between the soul of the dead person and the ancestors who will help this newly born soul along his way. Prior to the use of coffins, the Yolngu men would paint the body of the deceased with red ochre and then paint on the sacred symbols.

Singing the Grief

Throughout the days of the ceremonies grief is openly expressed, many times through song. These songs communicate many things: a wish for the return of the dead person, memories of the events in the life of the one who died, and the hope of a safe passageway for the soul to the ancestors. The men often will be singing day and night, and will sleep in shifts as the songs continue. The singing of songs by the men is an important part of the funeral service. They are accompanied by the dancing of the women who enact the stories that the songs are depicting.

The grief that is felt and expressed at the funeral ceremonies can continue for some time. It is said that late at night after the day is done and the tasks of the community are completed, you can sometimes hear the keening of a solitary mourner. The sound is heard throughout the quiet of the community and is accepted as a reminder of the pain and grief that the mourner still feels.

The men are responsible for the ritual activities of their community, and in many ways become like stage managers or directors, making the ritual preparations, rehearsing the songs, and making sure the process runs smoothly. The Yolngu men are active in working with their grief, with very specific activities assigned to them. These activities of singing, dancing, and directing the rituals give the men a framework in which their feelings can emerge and be honored and acknowledged. The women are also busy in keening, crying, dancing, caring for the children, and feeding the men. The men and women of this tribe have very specific roles to play, and both support each other through the difficult period of grief.

The Dagura People

 

We now turn to another example of indigenous grief rituals, that of the Dagura people of Africa.28 When a death occurs the women of the village begin to grieve. Their grief is somewhat muted, however, until the men have ritually announced the death. This announcement cannot occur until the men have created a “sacred space” for the grief of the village to emerge, and no man is allowed to show signs of grief until after this ritual space has been created. This is done by invoking the aid of the spirits through a private ritual performed only by the men. The invoking of the spirits is partly designed to elicit enough grief from the mourners to allow the dead person to move into the world of the ancestors. The Dagura believe that the soul’s journey into the next world is dependent in some ways upon the grief expressed by the mourners. Without adequate grief, the soul is thought to be stuck on this plane of existence and unable to leave the world. They have thus connected their grief with a purpose, that being the birth of the soul of the newly dead. The creation of ritual space, a safe container for the expression of grief, is seen as essential to the birthing of the spirit of the person who died. A part of this creation of sacred space involves throwing ashes around the house of the deceased and the ritual preparation of an actual physical space for the grief ritual. The announcement states that there has been a death, the ritual space is ready, and it is now time to grieve.

The Dagura Grief Ritual

The grief ritual itself is complex and beautiful. The grieving space is divided into different sections. The body of the dead person is dressed ceremonially and seated on a stool in the section called the “shrine.” Two women elders are seated next to the body and are charged with the duty to collect the grief that is being expressed and to “load it on” to the dead person to help him or her in the journey toward the ancestors. The shrine is colorfully decorated and contains some of the important possessions of the dead person. There is a boundary around the shrine which symbolically marks the separation between the living and the dead, and outside of the two women tending to the body, no one is allowed to enter the shrine, for to do so would mean entering the realm of the dead.

Between the shrine and the mourners is an empty space that represents chaos. Within this space people are allowed to express any form of grief they want, as long as it is related to their feelings about the death. Crying, dancing, or any expression of emotion is accepted and expected to take place within this space. There are people who are designated as “containers.” These people are often relatives who have come from afar. Their job is to insure the safety of the space for the grievers, making sure that no harm comes to those who are actively grieving. The Dagura believe in releasing grief with all its intensity, but they have also developed a system in which the intensity does not exceed the capacity of the mourners. It is like a system of checks and balances. The containers follow the grievers as they mourn and if they stray out of the ritual space, will gently tap them on the shoulder to remind them to come back into the contained space.

On one side of the shrine are the men of the village and on the other side are the women. Each group consists of mourners and containers. The mourners are further divided by the “kotuosob,” a small piece of rope tied around the wrist of the griever. The rope designates a person who was particularly close to the deceased, perhaps a family member. This marking alerts all the participants that someone who is wearing the “kotuosob” is what they call a “center of the heat” person, that is, a person who is more likely to be in danger of “grieving himself to death.” The Dagura see grief as food for the psyche, necessary to maintain a healthy psychological balance. But they also see its danger—too much grief and a person will “lose their center” and, they believe, can grieve to death. Thus the Dagura designate specific containers to follow closely behind the tagged person and do exactly as they do, including dancing, jumping to the beat of the drum, or pounding the ground. Sometimes when a tagged griever is experiencing a great deal of grief, a group of containers and mourners will form a line behind him or her with each person in the line doing the same action as the primary griever. It is understood that this transmits the feeling of the primary griever into all of those down the line. This type of process is viewed as a form of silent and physical support to the person who is grieving. It is important to point out that among the Dagura the healing of grief is gender specific. That is, no woman will approach a man in trying to help him with his grief, and no man would do the same for a woman. They believe that it takes a man to help release and heal the grief of another man, and a woman to reflect the grief of a woman.

Music

Music plays an integral part of the ritual. The ceremony is accompanied by xylophones and drums and two singers. The xylophones are divided into male and female. The male xylophone follows the mood of the singers and the female xylophone accompanies the male xylophone with a redundant set of notes. The singers are charged with the responsibility of singing (chanting) the life of the dead person. They sing the joy and sorrow of the family history and the events which led up to the death. This spontaneous singing is done in order to emphasize and direct the grief of the community.

Everyone in the community is expected to take part in this ritual. It is held as a solemn responsibility. Anyone who happens to be near the village during the ritual is expected to participate. It is as if death stops life for a while, all other activities coming to a halt. In the words of one singer, “We are trapped in a world in which we are not in control because of the mighty power of death.”

In the Yolngu and Dagura cultures, and in others around the world, grief is vented at the funeral in a very intensive fashion. The rituals of both last about three full days. During that time grief is given all the attention of the community, and it flows and flows. It should also be noted that in both cultures the support for a person’s grief does not stop after the funeral. Most indigenous people have post- funeral rituals that provide further opportunity to express grief. Rituals are practiced throughout the year, often marking important dates such as the one-year anniversary of the death. The community expects the grief to continue for some time, and in both the Yolngu and Dagura cultures grief can be released after the funeral and at the next funeral, if need be. This can be compared with our own culture where there is usually very little expression of grief during the funeral services, and few, if any, culturally-endorsed occasions for expressing grief thereafter.

Both the Yolngu and Dagura examples begin to give us an idea of how our culture lacks sufficient contained space to process the emotions that follow a death. Both have woven grief into the fabric of their lives and into their world view. Both cultures have linked a person’s grief with the purpose of aiding the soul in its journey. These cultures are very explicit in providing markers of who are the grievers and actions and roles to be played. We have very little of this. Both give men specific things to do following a death, activities that help them in connecting to their grief. Among the Yolngu, men have the responsibility of singing, and with the Dagura, men are responsible for the ritual and the healing of other men.

Imagine just for a moment that the people of the Dagura and the Yolngu suddenly lost their active grief rituals. What would happen to their men and women? What would the men of the Yolngu do without their songs? In some ways this is a parallel of what is happening in our culture. We have much to learn from indigenous people about the resolution of grief. We can use this knowledge to find creative mechanisms that are right for us.


24. Rosenblatt, P.C., R.P. Walsh, and D.A. Jackson. Grief and Mourning in Cross-Cultural Perspective. 1976, H.R.A.F. Press.
25. Diallo, Yaya, and Mitchell Hall. The Healing Drum: African WisdomTeachings. Rochester, Vermont. 1989, Destiny Books.
26. Reed, Janice “A Time to Live a Time to Grieve: Patterns and Processes of Mourning Among the Yolngu of Australia.” Culture, Medicine, and Psychiatry, 3, 1979.
27. Rosenblatt.
28. Some, Malidoma. Ritual: Power, Healing and Community. Portland. 1993, Swan Raven and Company.

If you are interested in this book you can find it here.

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Another moment gave me pause. The paper describes the “manosphere” as:

“a network of websites and social media groups that promote misogynistic beliefs.”

That’s not a finding. That’s a definition, and definitions matter. If you begin by defining a category as misogynistic, then study that category, you are not really testing whether it is misogynistic. You have already assumed the answer.

Now, to be fair, some spaces within what is often called the “manosphere” are openly hostile. Anyone who has spent time online knows that. But the term itself is broad. It includes a wide range of spaces—some focused on anger, yes, but others focused on fatherhood, men’s mental health, legal concerns, relationships, or simply trying to make sense of a changing world. To define all of that as inherently misogynistic collapses important distinctions. It turns a complex landscape into a single, pre-labeled category, and once that happens, the analysis begins to feel circular.



Reaction or Expression?

As I continued reading, I noticed something more subtle. Feminist spaces in the study are often framed—implicitly—as reacting to misogyny. The idea seems to be that negative attitudes toward men are, at least in part, a response to harm. That may sometimes be true, but it is not something the study actually tests.

Interestingly, the data itself complicates that assumption. When the researchers looked at emotional patterns—particularly expressions of “hate”—the feminist subreddit showed some of the highest levels at the user level. That’s a striking finding, because it suggests that hostility toward men is not always merely reactive. It can be active. It can be sustained. And in some cases, it may be as intense as the hostility it is presumed to respond to. The study reports this, but it does not fully grapple with what it means.



The Problem with Measuring “Hate”

The paper relies heavily on computational tools to measure toxicity and emotion. That’s understandable. Large datasets require some kind of automated analysis. But these tools have limits. They tend to detect what we might call explicit hostility—insults, threats, and dehumanizing language.

What they struggle to capture is something more subtle: generalized suspicion, moral framing, one-sided narratives about harm, and the steady pathologizing of a group. Hatred does not always announce itself clearly, and it does not always use harsh words. Sometimes it sounds like concern. Sometimes it sounds like analysis. Sometimes it even sounds like virtue. And that kind of hostility can be harder to measure—but no less real.



The Charts That Don’t Quite Clarify

I’ll admit something simple as well: the charts didn’t help much. There were clusters of colors, distributions, and visual patterns—but very few clear numbers that would allow a reader to easily compare groups. How much more hate? How much less? It was difficult to say.

The visuals looked scientific, but they didn’t always make the findings clearer. They gave an impression of precision without always delivering clarity.



An Important Step—But Not the Whole Picture

So where does that leave us? I do not think this is a bad study. In some ways, it is an important one. It takes a step that many researchers have been unwilling to take. It acknowledges that hostility toward men exists, that it can be measured, and that it should not be ignored. That matters.

At the same time, the study reflects the broader environment in which it was produced—an environment that still tends to treat men as the default source of harm, and women’s hostility as something more contextual, more explainable, or more justified. Because of that, the analysis feels uneven. The conclusion points toward balance, but the framing leans away from it.

And that, to me, is the most revealing part of all. The study is valuable not only for what it finds, but for what it unintentionally exposes about the culture surrounding the research itself.


The Deeper Issue

In the end, what struck me most is this: we are beginning to see evidence that hostility toward men is real and measurable, but we are still not willing to face it directly—not with the same seriousness, the same clarity, the same moral urgency, or the same willingness to question the stories we have been telling ourselves for decades.

If researchers truly want to understand gendered hostility, they cannot stop with fringe Reddit communities. They need to look at the media, the schools, the therapeutic world, public health messaging, and other major cultural institutions and ask a very simple question: Who is being portrayed as dangerous? Who is being treated as defective? Who is being blamed, pathologized, mocked, feared, or morally downgraded? Men or women?

That would be a far more revealing study. Because the most powerful forms of hatred are not always loud, crude, or obvious, and they are not always found in anonymous online forums. Sometimes they are found in respectable institutions. Sometimes they are taught in classrooms, repeated in headlines, embedded in therapy language, or smuggled into public discourse under the cover of compassion and progress.

And that is precisely what makes them so powerful. When contempt for men is framed as insight, when suspicion of men is framed as wisdom, and when the steady belittling of men is framed as moral sophistication, it becomes very difficult even to name what is happening.

Until we are willing to examine that honestly, we will keep misunderstanding the problem. We will keep measuring only the crudest forms of hate while ignoring the more polished and socially approved forms. We will keep pretending that hostility toward men is mostly reactive, incidental, or harmless, when in many settings it has become normalized.

And when a culture cannot honestly recognize the contempt it directs at half the human race, it does not become more just. It becomes more blind.

Men Are Good, as are you.

Coppolillo, Erica In: Scientific reports, 2025 Apr 22, volume 15, issue 1, page 13952

https://www.nature.com/articles/s41598-024-81567-9

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April 09, 2026
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Men Aren’t Broken—Just Misread.
And that misunderstanding is damaging marriages, boys, fathers, therapy, and the workplace


For years now, we have been told that men need to become more open about their emotions. They need to talk more, reveal more, cry more, and process more directly. We hear this so often that it has taken on the status of settled truth. But almost no one asks the more unsettling question: what if many men have been emotionally present all along, but in ways our culture has failed to recognize? What if the real problem is not that men lack emotional depth, but that male emotional life is so often judged by female standards?

That question matters far more than most people realize. It matters in marriage, where a good man can be called emotionally unavailable simply because he does not process out loud. It matters in families, where boys are corrected for the very ways they regulate hurt, fear, and stress. It matters in schools, where male behavior is more likely to be treated as a problem to be managed than a difference to be understood. It matters in therapy, where men often discover that healing is quietly defined in ways that fit women better than men. It matters at work, where “emotional intelligence” can become a polished-sounding way of rewarding female-style expression and penalizing male reserve. It matters in the courts as well, where fathers can be misjudged because their love does not always arrive in the approved emotional form.

Again and again, men and boys are judged not by the depth of their feeling, but by the style of its expression. And the style most often treated as healthiest is often simply the female style. That is not a criticism of women. Women have every right to their own ways of feeling and expressing. The problem is that our culture has quietly taken one pattern of emotional life and turned it into the universal standard. Once that happens, men and boys are almost guaranteed to be misunderstood.

A man can love deeply, care intensely, lose sleep over conflict, and still be called emotionally shut down. A boy can feel grief, fear, shame, and tenderness, and still be seen as emotionally underdeveloped because he runs, jokes, wrestles, or goes quiet instead of talking it through. A father can pour his heart into his children through protection, practical devotion, guidance, and steady presence, and still be treated as emotionally secondary because he does not narrate his love in therapeutic language. That is not insight. It is a profound failure of recognition.


The marriage damaged by a false interpretation

I once worked with a couple whose marriage was in serious trouble. The wife was convinced her husband had little real emotional depth. Her evidence was familiar enough: he did not talk much, he did not process in real time, and he often went quiet during arguments. She felt alone, unmet, and unseen. As she described him, he sat there saying very little. To most observers, he would have looked exactly like the stereotype of the emotionally unavailable husband.

But when I got to know him better, a different picture emerged. After their conflicts, he would lie awake at night replaying every word. He worried deeply about her. He thought constantly about how to make things better. He held back in the moment because he knew that speaking too quickly often made the conflict worse. So he retreated inward, trying to understand what he felt before he spoke. He was not emotionally absent. He was emotionally cautious. He was not unfeeling. He was flooded. But because his distress did not take the form she recognized, it was translated into indifference.

This is where many relationships begin to fail. She wants immediate verbal connection because that is how she experiences emotional engagement. He goes inward because that is how he tries to organize emotional overload. She experiences his inward turn as abandonment. He experiences her pursuit as pressure, criticism, or emotional intrusion. The more she pushes, the more he withdraws. The more he withdraws, the more frightened or furious she becomes. Soon both are suffering, and both believe the other is the problem. But sometimes the deepest problem is simpler than that. Male emotional processing is being judged through a female lens, and two decent people end up trapped inside a misunderstanding.


The boy who is pathologized for normal boyhood

The same thing happens to boys, often from a very young age. A boy is energetic, physical, playful, impulsive, competitive, less verbally demonstrative, and inclined to work things out through movement, action, humor, mock conflict, and short cycles of upset and recovery. For most of human history, much of this would have been recognized as ordinary boyhood. Today it is often viewed with suspicion. He is too active, too rough, too defended, too inattentive to feelings, too quick to move on, too external, too much.

But much of the time what adults are seeing is not pathology. It is male-pattern emotional regulation. Many boys process discomfort through movement, challenge, joking, rough-and-tumble contact, temporary withdrawal, activity, and doing. I have seen boys laugh after getting hurt and watched adults interpret that as emotional shallowness, when often the laughter was simply a way of keeping the pain from overwhelming them. I have seen boys respond to disappointment by getting louder, more physical, or more active, only to be treated as if they had no inner life at all.

A girl who cries openly is often seen as emotionally healthy and in touch. A boy who grabs a ball, heads outside, goes silent, gets restless, or hides his distress behind humor is more likely to be seen as avoidant or emotionally blocked. That is not neutral observation. It is interpretive bias. We recognize female forms of distress more readily, and we recognize female forms of self-soothing more readily as well. We are more likely to view those forms as healthy, mature, and emotionally literate. Male forms are more likely to be treated as immaturity, dysfunction, or disorder. The message many boys receive, whether openly or indirectly, is a painful one: not only are your feelings a problem, but the very way you carry your feelings is a problem too. That is a brutal thing to teach a child.


The father whose love is invisible because it is practical

One of the deepest losses in all of this is our failure to recognize male love when it arrives through action. A mother comforts a hurting child with words and empathy, and we call that love, rightly so. A father takes the child for a drive, shows him how to fix something, throws a ball with him, sits beside him quietly, makes the home feel steady, and communicates care through protection, guidance, practical help, and dependable presence. Too often we call that something else. We call it less emotional.

But it is not less emotional. It is simply less verbal and less theatrical. Many fathers love through doing, through steadiness, through creating safety, through shared activity, and through showing up again and again. I have known fathers who worried constantly about their children and barely spoke of it. Fathers who carried heartbreak in silence while remaining steady for everyone around them. Fathers who poured love into daily acts of guidance, support, sacrifice, and reliability. Because they did not present that love in the approved emotional style, much of it went unseen.

That is not wisdom. It is a form of cultural illiteracy. A society that can no longer recognize male love unless it is translated into female emotional language is a society that has lost sight of something vital in fatherhood itself.


The workplace where bias wears the mask of enlightenment

The same dynamic now appears in professional life. “Emotional intelligence” can refer to something real and worthwhile. Self-awareness matters. Awareness of others matters. Emotional self-control matters. None of that is in dispute. But in practice, the term is often used in highly subjective ways. A man may be calm under pressure, perceptive about group tensions, fair-minded, difficult to rattle, and unusually good at maintaining perspective in conflict. Yet he may still be judged as lacking because he is not verbally expressive, not highly demonstrative, or not especially skilled at broadcasting emotional cues in the preferred style.

What is being measured in many workplaces is not emotional intelligence broadly understood. It is emotional style. And the style often being rewarded is more female-typical: visible emotional signaling, relational fluency, warmth display, and verbal processing. That means male restraint can be interpreted as coldness. Male caution can be read as distance. Male steadiness can be mislabeled as lack of empathy. Male problem-solving can be reframed as emotional avoidance. In this way, a cultural preference disguises itself as a moral virtue. A man can be downgraded not because he is interpersonally incompetent, but because he does not perform emotionality in the way evaluators most easily recognize. This is one of the more effective forms of bias because it comes wrapped in the language of progress.


The therapy room where men are taught to distrust their own path

This problem may be most painful in therapy. A man comes to therapy grieving, traumatized, depressed, or overwhelmed. He is already taking a risk. He is already doing something difficult. But often it does not take long before he senses that healing is supposed to look a certain way. He is expected to talk in a certain rhythm, disclose in a certain style, and move toward feeling in a certain order. If he needs silence before words, that may be called avoidance. If he thinks before he speaks, that may be called detachment. If he processes through walking, building, fixing, working, reflecting, or simply being alone for a while, that may be interpreted as resistance rather than understood as his actual path.

I have seen this for years. Many men are willing to heal, but they are often asked to heal in forms that do not fit them. A grieving man may not need to sit face-to-face and narrate everything immediately. He may need to build a memorial bench. He may need to work in his wife’s garden. He may need long walks, long silences, or practical acts that allow feeling to move through him without being forced into premature language. That is not failed grieving. It is often male grieving. But instead of being understood, many men leave therapy feeling that even their attempt to survive is somehow wrong.

Think about how tragic that is. A man comes in already wounded and then receives a second wound: shame about the way he is coping. Many men suffer not only from pain itself, but from the belief that the form their pain takes is itself evidence of deficiency.


The family story that gets told wrong

These misunderstandings often begin inside families. One child is called “the sensitive one” because she cries, talks, and seeks comfort in recognizable ways. Another child, often a boy, is called distant, hard, or difficult because he grows quiet, gets irritable, becomes restless, or disappears into activity. But often the so-called difficult child is feeling every bit as much, sometimes more. He is simply less readable to the adults around him.

So his distress gets mislabeled. He is treated as a behavior problem rather than a hurting person. He is corrected more than understood, managed more than known. And that family story can follow him for life. Not the hurting one. Not the overwhelmed one. Not the child trying desperately to regulate himself in the only way he knows. The difficult one.

There is a quiet cruelty in that. Many men grow up not necessarily feeling unloved, but feeling unseen. People responded to the surface form of their coping and missed the depth of what they were carrying.


What this misunderstanding costs us

When men are misread, the damage spreads everywhere. Good relationships are needlessly broken. Boys are shamed for normal male ways of handling emotion. Fathers are diminished. Men are judged unfairly at work. Therapy alienates the very men it claims to help. Families build false narratives about sons and husbands. And men themselves begin to internalize the accusation. They start to wonder whether they really are stunted, distant, or emotionally deficient, not because they feel less, but because they feel differently.

To be clear, this does not mean every male pattern is healthy. Men can avoid. Men can numb. Men can become defended and unreachable. Of course they can. But that is not the point. The point is that our culture has become so accustomed to treating female-pattern expression as the gold standard that it often cannot distinguish difference from dysfunction. And that confusion is doing immense harm.

Emotional depth and emotional style are not the same thing. A man can care deeply and still need silence. A boy can feel intensely and still recover through movement. A father can love powerfully and still show it more through action than words. A man can be heartbroken and still cope through work, humor, problem-solving, solitude, or responsibility. Those patterns do not automatically reveal emotional poverty. They may reveal a male way of carrying emotional life.


What would change if we finally understood this?

A wife might stop assuming her husband’s silence means he does not care. A mother might begin to see that her son’s joking is not shallowness but self-protection. A teacher might stop mistaking boyhood for pathology. A therapist might stop trying to turn men into women in order to call them healthy. A manager might learn the difference between emotional competence and emotional style. A court evaluator might begin to recognize that a father’s steadiness, reliability, and practical devotion are not lesser forms of love. And men themselves might stop feeling ashamed of the ways they have carried pain all their lives.

That would not be a small change. It would be the beginning of seeing men more clearly. Because until that changes, we will keep damaging good men, good boys, and good relationships. We will keep mistaking difference for deficiency. We will keep confusing female-pattern emotionality with emotional health itself. And we will keep calling that wisdom, when much of the time it is nothing more than ignorance with good manners.

Men and boys are good. As are you.

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April 06, 2026
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They Took Away Recess—And Then Wondered Why Boys Struggled


For years, schools have acted as though more learning comes from more sitting, more compliance, more desk time, and more control.

But children do not learn best by being treated like machines.

And boys, especially, often do not thrive when movement, noise, spontaneity, and unstructured play are stripped from the school day.

One of the revealing things about modern education is how casually it has pushed recess aside. What was once understood as a normal and necessary part of childhood is now often treated as expendable—a frill, a reward, or a distraction from the “real work” of school. But the research points in the opposite direction. Recent reviews continue to find that recess is associated with academic and cognitive benefits, behavioral and emotional benefits, physical benefits, and social benefits. The strongest modern claim is not that recess is a magic cure for every school problem, but that it helps children function better and does so without harming academic achievement.

That matters for all children.

But it matters in a special way for boys.

Not because girls do not need recess. They do. But many boys are more movement-driven, more physically expressive, and more likely to regulate themselves through action. A school culture built around prolonged stillness can turn normal boyhood into a problem to be managed. Then, when boys struggle under those conditions, the system acts as though the flaw lies in the boy rather than in the environment. Recent research continues to find sex differences in recess physical activity, with boys on average being more physically active during recess than girls.


Recess Is Not Separate From Learning

One of the most persistent myths in education is the idea that recess takes time away from learning.

The better way to say it is this: recess helps make learning possible.

The brain cannot sustain focused attention indefinitely. Children need a break in cognitive demand. They need contrast. They need a change in setting, activity, and pace in order to come back ready to concentrate again. That is one reason the evidence on recess remains so steady. Newer reviews find positive effects especially in behavior and classroom functioning, while finding either positive or neutral effects on academic outcomes rather than academic harm. The CDC’s current guidance likewise says recess supports students’ mental, emotional, and physical well-being.

That fits ordinary human experience.

Many of us remember exactly what recess did for us. You got outside. You ran. You played. You argued over the rules. You laughed. You blew off steam. Then you came back into the classroom feeling more alive and more ready to focus.

That was not wasted time.

That was recovery time for the brain, and practice time for life.


The Overlooked Power of Unstructured Play

This is the part too many adults miss.

Recess is not valuable only because children move their bodies. It is valuable because, at its best, it gives children unstructured play.

And unstructured play is one of the great training grounds of childhood.

In the classroom, adults set the agenda. Adults decide what matters. Adults define the rules, the timing, the task, the outcome, and the acceptable behavior. In physical education, the same thing usually happens. But during recess, children often have to organize themselves. They have to decide what to play, how to play it, who goes first, what counts as fair, what to do when someone cheats, and how to keep the game going when conflict arises.

That is not trivial.

That is where children learn to negotiate, cooperate, improvise, resolve conflict, advocate for themselves, accept limits, and sometimes lead. Reviews of unstructured play and playground play consistently describe benefits in children’s decision-making, problem-solving, emotional regulation, peer interaction, resilience, and creativity. Even when researchers note that freedom can sometimes bring more visible conflict or disruptive behavior, that is not necessarily evidence against play. It is often part of the process by which children learn how to handle themselves and one another.

In other words, recess is one of the few places left in childhood where children get to practice self-government.

They learn how to make a world with other children in it.

They learn how to form rules, bend rules, defend rules, repair ruptures, and keep a shared activity alive without adults hovering over every move.

That is deeply educational.

In some ways, it is more educational than much of what passes for education now.


Why This Matters So Much for Boys

For many boys, recess is not just pleasant. It is regulatory.

A school day built around silence, sitting, verbal restraint, and passivity fits some children far better than others. Boys who are high-energy, physically expressive, or inclined to think through movement are often treated as though they are defective learners rather than differently wired learners. Recess gives those boys something they genuinely need: a chance to move, reset, experiment, compete, collaborate, and return with a better chance of succeeding in the classroom.

The newer research does not justify saying that only boys benefit from recess, or that every boy benefits more than every girl. That would be too broad. But it does support saying that recess is especially important for many movement-oriented children, and that boys, on average, tend to be more physically active during recess. That alone should make us cautious about cutting away one of the few parts of the school day that so clearly fits the needs of many boys.

And this is where the larger cultural issue enters.

For a long time now, schools have been moving toward a model of childhood that rewards the qualities girls more often display in classroom settings: stillness, verbal compliance, behavioral neatness, and early self-containment. The more schools define those qualities as the norm, the more ordinary boy behavior gets framed as a disruption.

Then schools remove recess, narrow the outlets for movement, and act surprised when boys do worse.

That is not insight.

That is a setup.


High-Performing Systems Do Not All Worship Seat Time

One of the assumptions behind cutting recess is that more time in class must automatically mean more learning.

But that assumption has never been as obvious as administrators pretend.

Countries such as Japan, Korea, and Finland have shown that academic success does not depend on keeping children seated for as many minutes as possible. On PISA 2022, Japan and Korea both outperformed the United States across math, reading, and science, while Finland outperformed the United States in math and science. In some of these countries, children may get as much as fifteen minutes of recess for every hour of instruction. That does not prove recess alone explains their success. Many factors shape educational outcomes. But it does call into question a deeply held assumption—that the way to improve learning is to take movement, play, and reset time away from children.

The deeper point is not that America should copy another country mechanically.

It is that high-performing systems do not all treat children as if the road to excellence is endless confinement.

Some of them appear to understand a truth we have forgotten: children need rhythm. They need intensity and release. Focus and reset. Work and play.


The Case for Recess Is Stronger Than It Looks

One reason recess has been easy to cut is that adults often think of it as optional. It sounds soft. It sounds unserious. It sounds like something schools can sacrifice in the name of rigor.

But the evidence does not point that way.

Recent reviews continue to find benefits in behavior, social functioning, physical activity, and well-being, with either positive or neutral effects on academics. The American Academy of Pediatrics’ policy on recess was reaffirmed in 2023, and it argues that recess should be considered a necessary break in the school day for optimizing a child’s social, emotional, physical, and cognitive development—not something to be withheld for punishment or extra academic drills. CDC guidance likewise continues to support recess and points schools toward evidence-based strategies rather than retreat from it.

That is worth pausing over.

The mainstream evidence base is not saying, “Recess is a luxury, but maybe a nice one.”

It is saying something much closer to this: recess supports healthy child development, improves important aspects of school functioning, and should not be casually taken away.


What We Need to Recover

We need to recover some sanity here.

Children are not improved by endless management.

They are not made healthier, wiser, or more teachable by removing one of the few parts of the day that allows them to move freely, improvise socially, and reset their minds.

And boys should not be treated as defective girls.

If a school system is built in ways that pathologize normal boyhood, then that system should be questioned. If it keeps cutting away the very things that help many boys regulate and engage, then it should not be surprised when boys disengage, resist, or fall behind.

Recess is not a distraction from education.

It is part of education.

Not because it is sentimental.

Because it is developmental.

Because it supports attention, behavior, social learning, and physical well-being.

Because unstructured play teaches things adults cannot easily teach from the front of the room.

And because one of the simplest ways to help boys in school may be to stop taking away one of the few parts of school that still makes sense to them.

Read.
Write.
Arithmetic.
And recess.

That is not a joke.

That is closer to wisdom than much of what passes for reform.

Men are good, as are you.

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